We’ve wrung every bit of creativity and flexibility out of these phrases and built a bespoke interface that will allow you to do the same.ĭespite advancements in sampling technology, you simply can't beat the realism of live played phrases and orchestral patterns so our goal is to make these as playable as possible, like a real instrument, with the minimum of end-user programming. Throw away your preconceptions of stiff one-shot samples and use the power of the Capriccio interface to harmonise, syncopate, offset and blend every one of the 38,000 samples. With Capriccio we’ve brought phrase-based sampling bang up to date. Highlights include the 'phrase offset' slider, separate volume setting for release tails and MIDI drag/drop from the score view in the interface, straight into your DAW.
The basic structure of the instrument is the same, using 4 presets each divided in 3 layers, but there are many innovations within Capriccio that will make working with this library even more intuitive and flexible. If you are familiar with our previous orchestral instrument 'Grosso', Capriccio's user interface should look quite familiar. It can be really loud and awe-inspiring, or gently set the mood. You can use Capriccio as a base for your composition, or to complement your existing piece, using only bits and pieces. We say it is big, and the sound is big, but as you can hear from the demos the sound has a diverse range of uses and is only limited by your own imagination. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible. We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just.BIG!
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